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The Mechanics of Magic

The Mechanics of Magic

Game Design Writings by Students at Stanford taking 247G and 377G

  • Library
    • CS247G Community Game Design Resources
    • Game Design Resources
    • Graphic Design for Game Designers
    • Graphic Design Resources
    • Chapter 11 from Game Balance
  • Read Write Play
    • Hollow Knight: RWP 4 2023
    • Mystic Messenger: RWP 6 2023
    • Undertale: RWP 3 2023
    • What Remains of Edith Finch: RWP 5 2023
    • Catan: RWP1 2023
    • 80 Days: RWP 2 2023
  • 247G Syllabus
    • The Formal Elements of Game Design
    • Design for Play | Week One | Lecture A
    • Design for Play | Week One | Lecture B
    • Design for Play | Week Two | Lecture A
    • Design for Play | Week Two | Lecture B
    • Design for Play | Week Three | Lecture A
    • Design for Play | Week Three | Lecture B
    • Design For Play | Week Four | Section A
    • Design For Play | Week Four | Section B
    • Design for Play | Week Five | Class A
    • Design for Play | Week 5 | Class B
    • Design for Play | Week 6 | Class A (no class)
    • Design for Play | Week 6 | Class B
    • Design for Play | Week 7 | Class A
    • Design for Play | Week 7 | Class B
    • Design for Play | Week 8 | Class A
    • Design for Play | Week 8 | Lecture B
  • Serious Play Study Group Overview
    • Study Group Week by Week Breakdown
      • Formal Elements of Games
      • Final Reflection Essay
    • [Optional Material] What is fun?
    • Project 1: Those Who Play, Teach
      • READING Visual Design of Board Games
      • Pitch Your Teaching Game
      • Sketchnote: Playtesting Boardgames
      • Sketchnote: Erin Hoffman // Wind, Not Sand: Mapping Dynamic Emotion Across a Product Landscape
      • SketchNote: MDAO
      • Critical Play: Write up your game of FLUXX
      • [Optional Material] Playtesting
      • OPTIONAL Board Game Usability
    • P2: The Future We Deserve
      • Critical Play: A Mechanic and a Story to Tell
      • Interactive Fiction: Tiny Playable Prototype
      • Introducing Interactive Fiction
      • Map and Premise
      • Critical Play: Story AND Storytelling games
      • Essay or Sketchnote: Rise of the Video Game Zinesters
      • Sketchnote: Art of game design- Story
      • [Optional Material] Emergence and Progression
      • Essay or Sketchnote: Rise of the Video Game Zinesters
      • Project 2 Reflection Essay
      • Share what you Learned: Writing Excuses Podcast
      • Values at Play & P2 Peer Grading
    • P3: The Game of Unexpected Consequences
      • P3 Concept Doc
      • Playable prototype
      • Working With System Dynamics (mindmap the reading, apply it to your game)
      • Mapping Systems
      • Sketchnote/Response for Rules & Tutorials
      • Project 3 Check-in
      • Project 3 Reflection Essay
    • P4: Refine a game
      • Sketchnote/Response for Playtesting with Strangers
      • Read: Mechanic is the Magic
  • On Sketchnotes
  • Printing at Stanford

Mayshu Zhan – Critical Play: Walking Simulator

April 29, 2024

What Remains of Edith Finch, developed by Giant Sparrow and published by Annapurna Interactive, is a first-person narrative adventure game that falls within the…

Critical Play – Yume Nikki

April 29, 2024

This past week I played Yume Nikki! Unlike any other game I’ve played, Yume Nikki offers extremely limited sensory interactions beyond the sense of…

Critical Play: Journey

April 29, 2024

My first step into walking sims was Journey, an indie adventure by Jenova Chen, developed by thatgamecompany, available on Steam and PlayStation. With stunning…

Mindmap – Narrative Architecture

April 29, 2024

Critical Play: Walking Simulators (David Fang)

April 29, 2024

Walking simulators, often abbreviated as “walking sims,” stand out in the video game universe for their quiet rebellion against action-packed mechanics. As a seasoned…

Critical Play: Places (Walking Simulator)

April 29, 2024

In my exploration of the game Places, an online walking simulator seemingly for ages 8+ by jlv, I found myself immersed in a series…

Critical Play: What Remains of Edith Finch

April 29, 2024

The game I played for this week’s critical play is What Remains of Edith Finch. The game is developed by Giant Sparrow and directed…

Critical Play: Walking Simulators – Regina Sevilla

April 29, 2024

For this week’s critical play, I played the game Places, which was a collection of free, unguided environments made by a tumblr blogger @ktch…

Critical Play: Walking Simulators

April 29, 2024

“How does walking tell the story?” For this critical play, I chose to play Dear Esther, the game that arguably started the genre. The…

Critical Play: What Remains of Edith Finch – Charlotte Zhu

April 28, 2024

In What Remains of Edith Finch (WROEF), walking enables players to explore the unknown, experience narrative changes, and appreciate beautiful sensations created by art…

Critical Play: Walking Simulator – BABBDI

April 28, 2024

Intro BABBDI is a short, first person exploration game, where players are in Babbdi, a district in the outer ring of the megalopolis. Our…

Narrative Architecture Mindmap

April 28, 2024

Mind Map: Game Design Narrative Architecture

April 28, 2024

Critical Play: Judging and Getting Vulnerable…

April 28, 2024

Skribbl.io is an online judging game similar to Pictionary. It was developed and published by ticedev and is aimed at a very expansive audience…

Mindmap: Narrative Architecture

April 28, 2024

Walking as a Narrative Tool in “Detention”

April 28, 2024

“Detention,” developed by Red Candle Games from Taiwan, is a psychological horror game that utilizes walking as a central narrative mechanism. Set during Taiwan’s…

Narrative Architecture Mindmap

April 28, 2024

Critical Play: Walking Simulators

April 28, 2024

Game: BABBDI Creator: Sirius Lemaitre, Léonard Lemaitre Platform: Steam Audience: Ages 16+ BABBDI uses mechanics such as inanimate people, collectable objects, and a monotone,…

Critical Play: Walking Simulators

April 28, 2024

This week, I played What Remains of Edith Finch. This has been on my to-play list for a while, so I’m glad I finally…

A1 Team 7- Tiger Moms

April 28, 2024

Artist statement: When thinking of fellowship games, our brainstorming immediately led us to some type of competition. We began considering what roles may induce…

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Welcome to the Stanford HCI Game Design Blog.

Currently this blog holds two formal classes being taught by Christina Wodtke as well as Independent Study Work. In winter of 2022, cs377g was cancelled because of covid-19 uncertainty, and became a study group. You can follow along by looking at the SGSG syllabus and weekly break down.

CS 247G: Design for Play(SYMSYS 195G)

A project-based course that builds on the introduction to design in CS147 by focusing on advanced methods and tools for research, prototyping, and user interface design. Studio based format with intensive coaching and iteration to prepare students for tackling real world design problems. This course takes place entirely in studios; please plan on attending every studio to take this class. The focus of CS247g is an introduction to theory and practice of the design of games. We will make digital and paper games, do rapid iteration and run user research studies appropriate to game design. This class has multiple short projects, allowing us to cover a variety of genres, from narrative to pure strategy. Prerequisites: 147 or equivalent background.

CS 377G: Designing Serious Games

Over the last few years we have seen the rise of "serious games" to promote understanding of complex social and ecological challenges, and to create passion for solving them. This project-based course provides an introduction to game design principals while applying them to games that teach. Run as a hands-on studio class, students will design and prototype games for social change and civic engagement. We will learn the fundamentals of games design via lecture and extensive reading in order to make effective games to explore issues facing society today. The course culminates in an end-of- quarter open house to showcase our games. Prerequisite: CS147 or equivalent. 247G recommended, but not required.

SGSG: Serious Games Study Group

  • Library
    • CS247G Community Game Design Resources
    • Game Design Resources
    • Graphic Design for Game Designers
    • Graphic Design Resources
    • Chapter 11 from Game Balance
  • Read Write Play
    • Hollow Knight: RWP 4 2023
    • Mystic Messenger: RWP 6 2023
    • Undertale: RWP 3 2023
    • What Remains of Edith Finch: RWP 5 2023
    • Catan: RWP1 2023
    • 80 Days: RWP 2 2023
  • 247G Syllabus
    • The Formal Elements of Game Design
    • Design for Play | Week One | Lecture A
    • Design for Play | Week One | Lecture B
    • Design for Play | Week Two | Lecture A
    • Design for Play | Week Two | Lecture B
    • Design for Play | Week Three | Lecture A
    • Design for Play | Week Three | Lecture B
    • Design For Play | Week Four | Section A
    • Design For Play | Week Four | Section B
    • Design for Play | Week Five | Class A
    • Design for Play | Week 5 | Class B
    • Design for Play | Week 6 | Class A (no class)
    • Design for Play | Week 6 | Class B
    • Design for Play | Week 7 | Class A
    • Design for Play | Week 7 | Class B
    • Design for Play | Week 8 | Class A
    • Design for Play | Week 8 | Lecture B
  • Serious Play Study Group Overview
    • Study Group Week by Week Breakdown
      • Formal Elements of Games
      • Final Reflection Essay
    • [Optional Material] What is fun?
    • Project 1: Those Who Play, Teach
      • READING Visual Design of Board Games
      • Pitch Your Teaching Game
      • Sketchnote: Playtesting Boardgames
      • Sketchnote: Erin Hoffman // Wind, Not Sand: Mapping Dynamic Emotion Across a Product Landscape
      • SketchNote: MDAO
      • Critical Play: Write up your game of FLUXX
      • [Optional Material] Playtesting
      • OPTIONAL Board Game Usability
    • P2: The Future We Deserve
      • Critical Play: A Mechanic and a Story to Tell
      • Interactive Fiction: Tiny Playable Prototype
      • Introducing Interactive Fiction
      • Map and Premise
      • Critical Play: Story AND Storytelling games
      • Essay or Sketchnote: Rise of the Video Game Zinesters
      • Sketchnote: Art of game design- Story
      • [Optional Material] Emergence and Progression
      • Essay or Sketchnote: Rise of the Video Game Zinesters
      • Project 2 Reflection Essay
      • Share what you Learned: Writing Excuses Podcast
      • Values at Play & P2 Peer Grading
    • P3: The Game of Unexpected Consequences
      • P3 Concept Doc
      • Playable prototype
      • Working With System Dynamics (mindmap the reading, apply it to your game)
      • Mapping Systems
      • Sketchnote/Response for Rules & Tutorials
      • Project 3 Check-in
      • Project 3 Reflection Essay
    • P4: Refine a game
      • Sketchnote/Response for Playtesting with Strangers
      • Read: Mechanic is the Magic
  • On Sketchnotes
  • Printing at Stanford

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Recent Posts

  • Critical Play: Play Like a Feminist – Kai Ssempa
  • Critical Play: Games of Chance and Addiction – Kai Ssempa
  • Critical Play: World Building – Kai Ssempa
  • Critical Play: Puzzles – Kai Ssempa
  • Pixel Runway — Or, What Games Teach Fashion‑Tech About Joyful Retention

Recent Comments

  • Christina Wodtke on Read, Write, Play: Starcraft 2 – Varsha
  • Christina Wodtke on Reflection Seb
  • Christina Wodtke on Final Class Reflection – Mateo LF
  • Christina Wodtke on Final Class Reflection – Thu
  • Christina Wodtke on Final Class Reflection

Categories

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  • Project One
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  • milestone
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